**SPOILERS HEREIN**
Every Star Wars
fan old enough to remember the days when there were only three movies remembers that poster. That simple image encapsulated all
the mystery of Darth Vader: what few details we heard in the original trilogy,
sporadic lines and whispers in various Expanded Universe materials, fleeting
comments from George Lucas, and whatever each of us personally imagined.
Everyone was sure the journey from a mere boy to arguably the greatest villain
in cinema history was going to be a great, epic tale.
And honestly, the prequels peaked right there, with whatever images
it conjured in each of our minds. As it turned out, the actual movie the poster was advertising was not great, not epic, and in a way, didn’t even feel like Star Wars at all.
Let’s get this out of the way: yes, Jar Jar Binks
(Ahmed Best) is absolutely awful, annoying, unfunny, and possibly racist
(though being unfamiliar at the time with
the racial stereotypes some say he embodied, this criticism went over my nine-year-old head). All that has been said already,
so I’m not going to waste any more words talking about it. Even if you take him
out of the picture (as some fans have), there’s still plenty wrong with it.
The acting and dialogue are some of the most criticized
elements of the prequels, and rightly so. Jake Lloyd, who plays Anakin Skywalker
like a sugared-up kid picked as an audience volunteer for a Star Wars theme park attraction, is the
worst offender. But unfortunately, he’s about the only energy the picture
has. The rest of the cast is static and robotic. Practically every scene
consists of characters dryly and stiffly spelling out every plot point while they
stand still or walk slowly (Lucas apparently forgot the “show, don’t tell”
rule). There’s no pace or energy in any of the scenes, no organic flow to the
dialogue, and no inflection, emotion, or enthusiasm from any of the performers.
Sadly, this would turn out to be a persistent problem throughout all three
prequels. I hate to say this because it straddles the line between criticism
and personal attack, but it almost seems like the cast and filmmakers didn’t
even try. It’s hard to believe anyone watched these scenes and dialogue
exchanges and thought they were satisfactory in the least. It seems more plausible
that they were just trying to get the plot out of the way so they could move on
to the next special effects sequence.
And what a bad, illogical plot it is. The whole Naboo-Trade
Federation dispute is simply not interesting, not to mention small potatoes
compared to the conflicts in subsequent episodes. In a trilogy that’s
ostensibly about the Clone Wars, devoting an entire film just to this is like
starting a World War II trilogy with a movie all about the Banana Wars (admit
it, you don’t even know what that is). Of course, it’s just a ruse for the evil
Palpatine (Ian McDiarmid) to get elected Supreme Chancellor of the Galactic
Republic, but his ascension could have easily been a single plot point instead
of a whole movie.
Also, why would Palpatine send his apprentice Darth Maul
(Ray Park) after the heroes? Wouldn’t it be better to seize power without letting everyone know the Sith
are out there? It seems the character only exists so they could shoehorn lightsaber
fights into the plot, not too successfully. It’s a wonder Maul has become
almost as iconic to the saga as Darth Vader. He barely has any screen time, even
fewer lines, and he’s killed off and never mentioned again after this movie
(I’d point out the plot hole here, but who cares about holes in a plot that stinks
anyway?).
As for Anakin’s story arc, the entire time on Tatooine feels
like a dawdling, unnecessary tangent. It doesn’t get much better when they
finally leave, either. For all the (deserving) flak from fans at the revelation
about midi-chlorians, they’re only part of a much larger problem. The films also
never explain what the Chosen One prophecy or “bringing balance to the Force”
mean. It’s really vague, uninspired, and derivative storytelling, and it’s
probably the most disappointing thing because Anakin’s story is supposed to be
the driving plotline of the prequels.
So, while it fails at storytelling and developing characters
we care about, does The Phantom Menace
at least succeed as entertainment? Well, the famous podrace is a very cool
sequence. It’s irrelevant to the overall storyline, but by the time it comes along,
you’re too desperate for something exciting to really care. Other than that,
the action is nothing exceptional. The battle droids look like cheap plastic
models and are all but incompetent, so they elicit no tension in any fight big
or small. The lightsaber duel pitting Darth Maul against Qui-Gon Jinn (Liam
Neeson) and Obi-Wan Kenobi (Ewan McGregor) has some impressive choreography,
but is emotionally underwhelming because we have little attachment to the
characters (also, it doesn’t help that none of them say a single word
throughout the whole fight). The best part of it is John Williams’ score, which
is an unquestioned classic (really, the only truly great thing to come out of
the prequels was Williams’ music).
As bad as the movie is, however, it might actually be the
least bad of the prequels, or at least the least damaging to the saga. As I
said, it doesn’t really feel like Star
Wars. There are lightsabers and a few of the same characters and planets,
but it feels overall disconnected from the saga. The events of the original trilogy
aren’t even on the horizon, and the characters we know look very
different from their counterparts in IV,
V, and VI. I remember seeing the movie when it came out and feeling like
it was from a completely different series, and the original trilogy’s aura
remained mostly unspoiled. Even today, it still feels disconnected on its own,
enough that you could almost brush it off as not Star Wars, but a knockoff of Star
Wars.
That would become harder to do with the subsequent prequels,
as the events leading into the originals started to take shape.
This shouldn't be an excuse, but the novel "Darth Plagueis" really tries to redeem the film in a lot of ways, making sense of the murky politics and explaining a lot of the baffling plot decisions. Honestly, that should have been Episode 1.
ReplyDeleteMr. Plinkett says it best on the thin characterization, that you can't describe any of the characters in this movie without talking about their appearance or plot function. Worst offense? Samuel L. Jackson is entirely unmemorable. How does that happen?!
You know, come to think of it, I didn't mention Samuel L. Jackson once in any of my three prequel reviews. And that honestly happened purely by coincidence. So, point proven.
Delete